Wednesday, December 10, 2008

Viva Las Vegas

Fed up with running in the dark, cold Toronto winter, I signed up for the Las Vegas Half-Marathon (December 7, 2008) in a bid to take advantage of my training for the Toronto Waterfront Half-Marathon (September 28, 2008). It turns out that I had overestimated my will to train over the two months that separate the events but the latter race was an excuse to go to Las Vegas so all was not lost.

Our trip to Las Vegas showed signs of being auspicious when we walked past George Stroumboulopoulos at Pearson Airport. The surreal sight of tiny George carrying his home on his back was matched only by the guy doing yoga in the waiting area of our departure gate. Yoga guy gave the exercise a bad name with his weak extensions and socks like swiss cheese. Eventually, he ceased embarrassing yogis everywhere by stopping to buy himself a hamburger.

After a plane ride during which passengers decided to start the party early by acting half their age, we arrived in Las Vegas to find ourselves surrounded by cowboys: the National Finals Rodeo was in town (December 4-13, 2008). One would think that participants in the upcoming marathon would be harder to identify than rodeo enthusiasts but it turns out that runners wear a uniform, too. Attendees of the Quality of Life Expo, where racers pick up their race packs, wore their running shoes, and even their technical t-shirts and shorts in order to, literally, run into the convention centre. It was as if runners were incapable of putting on any pedestrian outfit that would not allow them to exercise their cardio at a moment's notice.

Joe and I were not slaves to our running gear and we proceeded to punish our arches by walking in fashion shoes for eight hours a day during the first two days of our trip. As usual, we were driven by our slavish need to see everything, and on the second day, our need to exercise our rights as consumers at the Las Vegas Premium Outlets. Among the amazing deals that we could not pass up:
Calvin Klein Merino Sweaters - originally $59.99, reduced to $26.99
Armani Exchange Shirt Dress - originally $120.00, reduced to $49.00
Theory Melinda Patent Leather Flat Shoes - originally $295.00, reduced to $59.00
Polo Ralph Lauren Cashmere Blend Peacoat - originally $425.00, reduced to $69.99

We arrived at Premium Outlets at 10am and expected to be finished by early afternoon. We left feeling a mix of delight and dismay at 5pm. As we watched the sun set from the outlet mall's taxi queue, Joe exclaimed, "I can't believe we spent the whole day here." The couple in front of us chimed in with their own disbelief and we soon discovered that we were flanked by Canadians, or more specifically, Albertans - two parties in front and one couple behind us. We ended up sharing a cab with the couple who were also in Las Vegas for the half-marathon, and not for the rodeo as one might assume of visitors from Canada's Lone Star province.

The Albertans were the ones to warn us to allot at least 30 minutes to arrive at the start line of the race, and not the 15 minutes that I had planned. It turned out to be good advice as the race corral was a mess. Runners were simply divided into two categories: elite and everyone else, which meant that marathon runners, half-marathon runners, walkers, wheel chair racers, and baby joggers all ran circles around each other in a bid for room. With a whopping 13,000 participants, there were bound to be people who were not familiar with running etiquette. Sure enough, some racers recreated their version of local attraction, the Hoover Dam by walking in the middle of the race course, companionably side by side, forcing runners to dash around them or wait patiently for a fissure in the wall to break through.

However, the frustration of dealing with race neophytes was easy to ignore in the first 10km with the spectacle of the start line fire works, Robin Leach, and the fully lit Vegas Strip to distract us. And by the time the race route wove through desolate downtown Las Vegas in the second half of the half-marathon course, slower racers had fallen away allowing runners an unobstructed view of the seedy motel apartments and their listless occupants.

During the race, the temperature was an ideal 5C with only a moderate breeze and an overcast sky. The only fly in the ointment was the dryness of the desert, which remained even in the absence of any heat. It amazed me to see the line up for the porto-potties along the route since it took a few hours after the end of the race before I even heard nature's call.
Before the run, Joe and I had already begun indulging ourselves with two McDonald's meals in a row and this continued with a crusade to In-N-Out Burger the day after the race. Although the In-N-Out Burger was located well within walking distance, it was a challenge to cross a passive aggressive freeway overpass that forced pedestrians down serpentine walkways under bridges or mislead them onto disappearing sidewalks, in order to reach the fast food outlet. In the end, it was worth it because In-N-Out Burger is simply amazing.

With the exception of shopping and fast food, Joe and I failed to take advantage of other Las Vegas past times like drinking alcohol in public places (in my case, not at all) or gambling (we lost $20). One Las Vegas staple that we managed to score cheap tickets for was Cirque de Soleil's KÀ. We had high hopes for the show but were ultimately disappointed by the overly convoluted production and the uncharitable show producers.

Robert LePage, the show's creator, is reknowned for his technically clever theatre productions but his stage mechanics overshadow the human performers of KÀ. In fact, the only moments during which KÀ succeeded in mesmerizing us were when the skill of the performers was the sole feature on stage: a pas de deux of hand shadow puppets, a solo performance using a pair of batons, and the circus classic, the Wheel of Death. Technical difficulties caused a whole act to loop for what seemed like an eternity before grinding to a halt when it became clear to the performers that they could not stall any longer. The audience were encouraged to go out for intermission while the crew attempted to fix the convoluted equipment and when the show reconvened, a new scene began without explanation. The audience had clapped in support of the performers before the intermission, but, by the end of the show, the applause was less enthusiastic. There was no offer by the management of a partial refund or a rain check for another showing.
On our last day, we were lucky enough to catch the re-launch of the Mirage Volcano. We arrived early enough to position ourselves behind a short couple and therefore, had a nearly unobstructed view of the new volcano, featuring more explosive 'lava', a frantic drum soundtrack, and unexplainable dancing flames shooting out from the water. When the volcano's encore performance came shortly afterwards, Joe and I were lucky enough to be standing on the road median and therefore had a long view of the fireworks (photo seen above).

Leaving Las Vegas meant traveling with a crowd similar to the yahoos that we traveled to Las Vegas with and, of course, another celebrity sighting. Mike "Pinball" Clemons arrived in Las Vegas just as we were departing, and was chased down by the most stereotypical team of Canadian football players: the non-stop talker, the strip club patron, the guy who just got engaged with his longtime girlfriend, who tagged along for the trip but was kept at arm's length by the other guys because she did not look like Tila Tequila. As luck would have it, Joe and I were seated directly in front of the motor mouth and some of his friends. We feared a red eye descent into hell when one stewardess engaged in the most psychotic safety demonstration I have ever seen, to the hoots and hollers of the football players. Fortunately for Joe and me, the immaturity of the football team encompassed a childlike predisposition to pass out once the lights are turned down. We returned to Toronto, grateful that the cold weather culls the local population of roaming, drunken frat boys and overly ripe women teetering on stiletto heels.

Sunday, November 30, 2008

Anyone out there?

I feel nothing. I'm a bag shaped like a robot.
Then I guess no one is going to mind if I take a break for the next week and a half. In the meantime, read this great article about craft.

Friday, November 28, 2008

Friday Night Play List: Music to LARP to

Oh no! "So You Think You Can Dance? Canada" competitor, and recreational LARPer, Izaak Smith was kicked off. Of the two remaining male dancers, Nico Archambault looks more likely to win, unless Canadian viewers lose their mind and choose Miles Faber.

Hip hop has not been particularly strong on the Canadian show and Miles is the weakest popper finalist that I have seen on either the Canadian or American shows. Every time he does his solos, I am transported to talent night in high school. It is lucky for Miles that he actually improves in dance styles other than his supposed specialty.

In ode to the departed LARPer, I present a LARP soundtrack:

"California Love" - Tupac and Dr. Dre
"Da Rockwilder" - Method Man and Redman
"Rhythm Nation" - Janet Jackson
"Wynona's Big Brown Beaver" - Primus
"Champion" - Kanye West
"Wanted Dead or Alive" - Bon Jovi

Thursday, November 27, 2008

One of a Kind Show: 10 days left to go broke

As per tradition, I attended the first day of the One of a Kind Show (OOAK) and this year, I was not disappointed. The organizers featured a wider range of items than last year, an observation that was echoed by other attendees, and only fatigue and an empty wallet stayed my hand.

The OOAK has a reputation for selling pricier items - understandable since the majority of the featured products are not mass produced overseas. Yet, Kyla Francis manages to sell her hand printed glasses and mugs for less than $15 each. The dishwasher safe enamel images of sneakers (see above), cassette tapes and Wii controllers will appeal to the lazy, the immature and the nostalgic.

Amber Mills's ceramic wares are more traditionally styled but stood out from the crowd, none the less. The rich colours and Arabian influenced design first grabbed my attention on the OOAK website then, once I saw them in person, they preyed on my mind throughout my initial walk-thru of the show until I rushed back to Mills's booth. After thinking hard, I picked a variation on the mug seen above. Mills's designs are still on my mind, and if I return to the OOAK before December 7, I may find myself purchasing one of her vases.

Finally, I made my bi-annual trek to the Eve Gravel booth to buy something. This season, I bought the Mushi Mushi dress (seen below). Already, I can imagine wearing the dress at a holiday get-together, during a night out at the pub, lying on a bear skin rug in the middle of a chalet...so many possibilities. This dress will pay for itself.
One of a Kind Christmas Show and Sale 2008
Thursday, November 27–Sunday, December 7, 2008
Direct Energy Centre, Exhibition Place, Toronto
Weekdays 11am-10pm, Saturdays 10am-9pm, Sundays 10am-6pm

Monday, November 24, 2008

Art = Money for some

Not Afraid of Love (2000) - Maurizio Cattelan
"Someone once told me that (art) was a very profitable profession, that you could travel a lot and meet a lot of girls. But this is all false; there is no money, no travel, no girls. Only work. I don't really mind it, however. In fact, I can't imagine any other option. There is, at least, a certain amount of respect. This is one profession in which I can be a little bit stupid, and people will say, 'Oh, you are so stupid; thank you, thank you for being so stupid.'"
- Maurizio Cattelan

Maurizio Cattelan was my patron saint during my brief foray into art for his ability to float where reality would usually sink in. This is a man who tried to organize a Caribbean Biennale simply for the sake of providing a vacation for invited artists. Cattelan also tried to raise funds for an art grant whose only requirement was that the recipient cease to exhibit his or her work for the duration of the grant. It was aimed at the group of successful artists who tended to monopolize the international exhibition circuit. When no one claimed the grant, it ended up funding Cattelan's move to New York, but not before Catellan installed a plaque with the donors' names on the wall of the Brera Academy of Fine Arts in Milan, without permission. The plaque hung unnoticed by the Academy's administration for a whole year.

I was reminded of Cattelan during the recent splurge on art. It seems that a lot of money gets thrown around where fine art is concerned but only if the artist is dead or one of the usual contemporary art suspects like Damien Hirst. Rather than a philanthropic appreciation for art, it is probably a desperate banking of funds in a dependable source that will appreciate over time. Needless to say, I am against the commercialization of art because it usually benefits the wrong individuals.

During an economic downturn, frivolous spending is usually the first to get cut and if even Damien Hirst is suffering the effects of an ailing economy, then one can only imagine what will happen to lesser known artists.

If the idea of funding Catellan's anti-establishment shenanigans does not appeal to you, I would encourage you to visit the One of a Kind Show (in Toronto, November 27 - December 7, 2008). Pleasing yet practical items are guilt-free purchases especially when you know that the money goes directly to the maker and not to an auction house or an art speculator. During difficult times, it is said that people turn to sources of comfort. Comfort yourself and a local artist by buying some of their work because only the wealthy get rich off of art.

Thursday, November 20, 2008

Friday night play list: Mack Daddy

It's only Thursday but what the hell! It's never too early to get ready for Friday night. Plus, no current affair is getting my goat at this time.

I present my play list for getting in the mood for love; that's over 15 minutes of foreplay accompaniment, which should be more than enough, especially if you have a bottle of champagne nearby. You're welcome.

"Astounded" - Bran Van 3000 featuring Curtis Mayfield
"Sensual Seduction" - Snoop Dogg
"Sex on Fire" - Kings of Leon
"I Just Don't Know What To Do With Myself" - White Stripes
"Make It Wit Chu" - Queens of the Stone Age
"All I Want is You" - U2

Monday, November 17, 2008

There will always be TV

My career is safe for now (sob).
A friend recently revealed his plans for a drastic career change because his job is sucking his will to live, and I instantly became enamoured with the idea of doing something crazy with my future, too. My last foray into career insanity lasted five years and could be equated to working in a foreign country even though I never left Toronto; it was fun and unusual but ultimately contributed very little to my hirability.

This latest yearning for professional suicide stems from an information blitz in the media promoting paramedics as a viable career choice for people in mid-career. Like Homer's Clown College, this idea has festered in my mind for months until I became convinced that becoming a paramedic was perfect for me. Poor Joe was supportive as usual, but fortunately for both of us, my more ruthless friend, Jessica convinced me to give up my paramedic dreams by the time Joe came back from a curling game. It turns out that the solution is to find myself an absorbing hobby since no sane person gives up a job with a healthy environment, good pay, and little stress simply for the sake of boredom.
However, I can continue to live my paramedic dreams through Davis Bloom (played by Sam Witwer), the paramedic who will soon become Doomsday on "Smallville". If Witwer's resemblance to Starkiller from Star Wars: The Force Unleashed is uncanny, that is because the Sith apprentice was modelled after him and appropriated his voice. Add to this the fact that Witwer has appeared in "Battlestar Galactica" and was inspired to act by an encounter with Wil Wheaton and you have a good contender for biggest fanboy actor on TV.

Geeks are also being represented on TV by "So You Think You Can Dance Canada" competitor, Izaak Smith. The hip hop and ballet dancer is a LARPer who was first introduced to the viewing audience in full medieval armour, waving a padded sword. Izaak has repeatedly been on the verge of elimination and yet, he has outlasted his technically superior dance partner and is currently in the Top 8. Joe and I will continue to cheer for the LARPer in the hope that he will eventually break out the medieval armour for one of his solo routines.

In the absence of an unholy LARP dance union, the best part of "So You Think You Can Dance Canada" by far is judge, Jean-Marc Genereux. His pervy mannerisms and original outbursts, like labelling select competitors "V.I.D. - Very Insane Dancers" make the show.